Since you’re probably wondering: They look not unlike a couple of guys in a rock band. How many bands and acts do you have that are still making good music after twenty years? It always sucks-almost always, you know?"Īnd de Homem-Christo, who has said maybe a few dozen words up to this point, most of them about salad and directed at our waitress, peers over the golden top edge of his sunglasses and says: "So our new album is supposed to really suck." "The thing we can ask ourselves at some point is like: We’re making music for twenty years. In this scheme, Random Access Memories might as well be Scream 4. "In Scream 2, they have this discussion about how sequels always suck," Bangalter says. Only a handful of people have heard the album so far, but the two men already seem resigned to the possibility that no one will like it. More to the point, Random Access Memories is a calculated departure from past Daft Punk records, even for Daft Punk, a band that, over the course of its lengthy reign as the most well-known and critically revered dance-music act on the planet, has made a point of never making the same record twice. It sounds like it cost about a million dollars to make, if not more, an estimate they don’t deny but also won’t confirm. It’s got choirs and flutes and some of the same guys who played on Thriller and Off the Wall, and Panda Bear from Animal Collective, and Nile Rodgers from Chic, and a gang of other collaborators-Italian disco god Giorgio Moroder, "Rainbow Connection" guy Paul Williams, pianist Chilly Gonzales, house titan Todd Edwards, the Strokes’ Julian Casablancas, Pharrell Williams singing about sex and ancient Greek mythology. It’s a big and lush and opulent ’70s-disco record, glamorous in places and almost mournful in others, like something a heartbroken vacuum cleaner might drive around to at night in Detroit. The record is only Daft Punk’s fourth in sixteen years, not counting the soundtrack work they did on Disney’s 2010 sequel to Tron, and the first that the two men, who recorded their first three albums at home (two in Bangalter’s bedroom, one in his living room), have made in a proper studio. In 2020, Rolling Stone ranked Random Access Memories number 295 on their list of the " 500 Greatest Albums of All Time".It’s called Random Access Memories-they whisper the title across the table, because it’s February and no one else knows this yet, and because with Daft Punk nearly everything is a secret. "Get Lucky" also won the awards for Record of the Year and Best Pop Duo/Group Performance. The album appeared on several year-end lists, and won in several categories at the 2014 Grammy Awards, including Album of the Year, Best Dance/Electronica Album, and Best Engineered Album, Non-Classical. Its lead single, " Get Lucky", topped the charts in more than 30 countries and became one of the best-selling digital singles of all time. It also topped the charts in twenty other countries. Random Access Memories is the only Daft Punk album to top the US Billboard 200, and was certified platinum by the Recording Industry Association of America. It combines disco, progressive rock and pop, with collaborations with Giorgio Moroder, Panda Bear, Julian Casablancas, Todd Edwards, DJ Falcon, Chilly Gonzales, Nile Rodgers, Paul Williams, Nathan East and Pharrell Williams. Following the minimal production of their previous album, Human After All (2005), Daft Punk recruited session musicians to perform live instrumentation and limited the use of electronic instruments to drum machines, a custom-built modular synthesizer and vintage vocoders.
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