And it's also touching for me that this was the last time that Vincent Nguini - who was my friend and band mate for 30 years - this is the last recording that he made. So this time, I came and was very careful to try and allow for the storyline to go right through because if you don't follow the storyline then the ending doesn't have its power. "'Darling Lorraine,' which I think is one of the best songs that I've ever written, the first time that I did it, the arrangement was so interesting and eclectic that I thought you couldn't follow the storyline, because you were distracted by the sounds. On rearranging an old song to make its intent clearer Those dreams, they got so intense a few years ago that I took a trip down to Brazil to see this healer, John of God." I have a long history, really going back to like when I'm four, of violence dreams. "What I'm really interested in on a personal level are my dreams. On what's going through his mind these days I think after Stranger To Stranger, a funny thing happened when I finished - I literally felt like a switch clicked and I said, 'I'm finished.'" "Well I haven't written a new song in a couple of years, now. You can listen to the full interview with the play button at the top of the page and read edited highlights below. His remarkable answer took us down a long and completely unexpected path. I began our conversation by asking Paul Simon how and why he chose the songs to rework for this new record. He created this record with a band of inventive jazz and classical musicians, including guitarist Bill Frisell and trumpeter Wynton Marsalis, with arrangements from The National's Bryce Dessner. In the Blue Light is a brilliant reimagining of 10 songs he says he's always wanted to revisit. As he says in this incredible and candid conversation, the future of his artistic life is something he puzzles about.Īll that said, Paul Simon has just made a new album. And even though he recorded five studio albums with Art Garfunkel, made 14 solo albums, scored a film and wrote a Broadway musical, it's actually been a few years since Paul Simon has written a new song. His farewell tour closes in just a few weeks in Queens, New York, not very far from his childhood home. The National Council on Aging notes that “hearing loss becomes much more common as we age.” The council also says hearing loss is “a major public health concern,” adding that “Research has shown links between hearing loss and other conditions like dementia, depression, anxiety, and falls, all of which add up to higher health care costs and diminished quality of life.At 76, Paul Simon has been writing music for more than 60 years. See also: ‘It democratizes what you get’: Hearing aids are now available over the counter - what you need to knowĪccording to government statistics, roughly 15.5% of Americans over the age of 18 suffer from hearing issues. Simon added that he’s planning to work with two guitarists to see if he can come up with some solution - that is, they will handle the instrumental parts he might normally play in concert. “And then it evolves to another standard, and goes further.” “Usually, when I finished an album I went out and toured with it, and then I have the opportunity to really investigate the piece,” Simon said in Toronto. The particular frustration for Simon is that he considers his concert appearances an extension of his record-making. But he has also said that the hearing loss, which affects his left ear, makes it difficult for him to perform live. Simon released a new album earlier this year, “Seven Psalms,” and has said he had hoped to play the occasional live concert, even though he made his formal farewell in 2018. Simon, 81, made the remark while attending the Toronto Film Festival, where the documentary, “In Restless Dreams: The Music of Paul Simon,” received its world premiere.
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